All Max, Gabriel Cornelius von Oil Paintings
  1
  Prev Artist       Next Artist     


Max, Gabriel Cornelius von A Christian Martyr on the Cross oil painting


A Christian Martyr on the Cross
Painting ID::  19348 		Artist: Max, Gabriel Cornelius von
Painting: A Christian Martyr on the Cross
Introduction: Oil on canvas The Hermitage, St. Petersburg.
   
   
     

 

 

 
 

 

 

 
Max, Gabriel Cornelius von A Christian Martyr on the Cross oil painting


A Christian Martyr on the Cross
Painting ID::  29222 		Artist: Max, Gabriel Cornelius von
Painting: A Christian Martyr on the Cross
Introduction: mk65 Oil on canvas 49x36"
   
   
     

 

 

 
 

 

 

 
Max, Gabriel Cornelius von The Anatomist oil painting


The Anatomist
Painting ID::  88315 		Artist: Max, Gabriel Cornelius von
Painting: The Anatomist
Introduction: 1869(1869) Medium Oil on canvas Dimensions 136.5 x 189.5 cm (53.7 x 74.6 in) cyf
   
   
     

 

 

 
 

 

 

 
Max, Gabriel Cornelius von Lady Macbeth oil painting


Lady Macbeth
Painting ID::  90775 		Artist: Max, Gabriel Cornelius von
Painting: Lady Macbeth
Introduction: 1885(1885) Medium oil on canvas Dimensions Deutsch: 100 x 73 cm cjr
   
   
     

 

 

 
 

 

 

 
  1
Prev Artist       Next Artist     
     Check All Max, Gabriel Cornelius von's Paintings Here!
     Czechoslovakian, 1840-1915 Painter, illustrator and teacher, nephew of (1) Emanuel Max. He studied at the Academy of Fine Arts, Prague (1855-8), and the Akademie der Bildenden K?nste, Vienna (1858-61), and under Karl Theodor von Piloty at the Akademie der Bildenden K?nste, Munich (1863/4-7). He settled in Munich, where he opened a private school of painting in 1869. His paintings and book illustrations of the second half of the 1860s show an affinity with the late Romanticist movement. He illustrated works of German literature by Wieland, Lenau and Schiller, as well as producing illustrations for Goethe's Faust (1867-8; Prague, N.G., Kinsky Palace). As well as literary and even musical sources, religious themes frequently occur in his work, including his first great success, the Crucifixion of St Julie (1867; ex-Sotheby's, London, 1976). In numerous female figures and portraits Max explored the tension between the inner state and the charm of the physical appearance or surroundings of his subjects. His interest in the artistic perception of relationships between physical reality and the spiritual world led him to a study of anthropology and contemporary occultism and mysticism, as in his portraits of the Seer of Prevorst . Related Artists to Max, Gabriel Cornelius von : | Giulio Quaglio | Childe Hassam | PEETERS, Clara | Master of Moulins | Albert Eckhout |

 

 

 
CONTACT US
 Contact us!